Set 01
Atmosphere
live ambient for rooms that need sound, not a spotlight
A bed of drones and textures with didgeridoo, ukulele and loops layered live on top. No vocals unless you want them, no set breaks, no stage. It does the job a DJ does, except it is being made in front of your guests. Built for vendor markets, gallery openings, receptions, and anywhere people are meant to be talking.
- Runs
- 2 to 4 hours, continuous
- Volume
- conversation stays easy
- We bring
- PA, instruments, playback rig, all cabling
- You bring
- one outlet and about six feet of corner
Set 02
The Full Show
Skex Pl'nesh, in costume, at full volume
The psychedelic horror circus as intended. Thrash, melodic horror, and gargoyle vocals sung in a language nobody on Earth speaks. Theatrical, loud, and not remotely background music. Stages, festivals, bars, late slots, anywhere the room came to watch something happen to it.
- Runs
- 30 to 60 minutes
- Volume
- the loud one
- We bring
- instruments, costume, stage plot on request
- You bring
- house PA, one vocal mic, one DI, room to move
Set 03
Talk and Music
spoken word education braided through songs
Intense world theory, sensory styles and neurodivergence, explained in plain language and broken up by music so nobody has to sit still for an hour. Written for fundraisers, summits, conferences, staff trainings and awareness nights. The talk gets built around your program, not the other way around.
- Runs
- 20 to 90 minutes, shaped to your agenda
- Volume
- talk level, music a touch above
- We bring
- instruments, the talk, slides if they help
- You bring
- a mic that reaches the back, and seating
Set 04
The Close Room
house concerts and small rooms full of people who chose to be there
Stripped to voice, ukulele and stories between songs. Living rooms, backyards, listening rooms, birthdays, wakes. Twenty people is perfect and eight is fine. This is where the soulful folk material lives, and where the songs get explained instead of performed at you.
- Runs
- 45 to 75 minutes, or two short sets
- Volume
- often no PA at all
- We bring
- everything, or nothing but the instrument
- You bring
- somewhere to sit and a door that closes
Set 05
Ceremony
didgeridoo and voice as sound rather than performance
Long tones, drone and overtone work for rooms already doing their own work. Sound baths, retreats, breathwork, movement classes, closing circles. No stage, no set list, no applause expected. The room gets followed rather than led.
- Runs
- 20 to 90 minutes
- Volume
- physical, but not loud
- We bring
- didgeridoos, hand percussion, voice
- You bring
- floor space and forgiving neighbors
Set 06
Unplugged and Roaming
no PA, no set list, no announcement
Wandering festival grounds, a trailhead, a campfire, a park at dusk, the low branch of a good tree. The music finds people rather than the other way around. Site-specific, unscheduled, and genuinely strange in the way the best festival memories are strange.
- Runs
- as long as the day allows
- Volume
- whatever the air does with it
- We bring
- whatever can be carried
- You bring
- permission and a general direction
Set 07
Wild Card
scoring somebody else's thing
Live score for theater, film, dance, ritual or an art opening. Sitting in with other players. The idea you have not pitched to anyone because it sounded too odd out loud. Bring it. Hanging upside down from a tree in your favorite park has already been formally requested and formally accepted.
- Runs
- negotiable
- Volume
- your call entirely
- We bring
- an open mind and a lot of gear
- You bring
- a conversation
